Boylan: I appreciate that. Once again, this is a team effort to get where we are with this episode. But if I had a nickel for every time somebody tells me, "Alex, we need to start having a teleprompter." And, they say it all the time to me and I kill that thing so fast, "We're never going there because I want this to be authentic" and for the audience to know, "Yes, of course we're involved to help shape this, but these are real students and these are real professors and these are really their stories."
The first part of the whole process as they write the first draft of their script and what they're going to say, because we need to keep that heart and energy. If we lose that, it just becomes a bunch of marketing speech. We're just like everything - I don't want to say everything else out there - but we're not being true and authentic.
And, we want this to stay true and authentic while telling an awesome story about Salus. So, it starts there and then it gets molded and shaped and then we work on talent coaching. Our producers and directors are great in the field so I never will allow this show to ever go to teleprompter. By the way, everyone, I used a teleprompter. But the students and faculty, those are real. They're really performing out there and we never want to try to teach someone teleprompter - they're going to sound like they're reading.
I think it's a massive kudos to the students and all the amazing students at Salus because they're going to school, they have exams, all this stuff's going on and then all of a sudden, it's like, "Hey, by the way, you're going to star on a television show for us." There's a responsibility on their end and there's a lot to take on and it's fun because 99% of everyone is never going to be prepared because as soon as that camera's in someone's face, and there's a crew behind them and everyone's watching, it changes.
So, to watch them, these are doctors. They're so specialized and genius in there and all of a sudden, they're coming into this completely other world. And, we're like, "Okay, now we're going to play that on television. And, we want you to be you." It's magical.
When I talk about the show to friends, "My background's in making travel shows and I haven't been this happy making a show." I'm trying to always figure out what it is that I love so much about it, and I think what it is, it's working with people who've never worked in television typically from start to finish. You're in the pre-production process, we're working together, and we're learning. We're learning about you all. And, then we need to absorb Salus into our heads to understand, "What is your culture? What's your world?" You're learning from us. This is how we make television and take that process through every piece of it, all the way down to someone who's never been on camera, it's like, "We got you. We guarantee, you're going to look great." So, there's this trust, there's this education, and that just makes this such an awesome experience from top to bottom.